Artist Statement:
I'm consistently fascinated by gore and physicality. Through
this project I explore memory degradation, physical degradation, and how our
bodies interact with materials in conjunction with how our minds interact with
memories. Both the mind and the body serve as containers for memories. They
hold the relics of past lovers, memories, functions and interests. Mind to
lovers, body to cum. Mind to trauma, body to scars.
My chosen organs to sculpt are skin, intestines, lungs,
brain, and the heart. My materials have been chosen to reflect the state of the
physical and mental when holding onto memories and substances for too long. Memories
become warped, they decay, and are unavoidably altered. Like wounds, they fester
and worsen if irritated and prevented from healing. I'm interested in materials
that can convey this degradation. Wax, burnt plastic, gels, foam, liquid latex.
For each of the organs I sculpt, there's a photograph
corresponding to it. Whatever matter the organ is associated with is
represented in the corresponding photograph. Diseased, warped matter interests
me. It seems somewhat fanciful in a revolting way. The matter is not shot on
its own, but rather how it interacts with the human body. The surface area
covered by the matter increases based on importance of the corresponding organ.
The brain interacts with memories in a greater way than the lungs do, so brain
matter covers more area than lung matter ever could.
The sculptures and photographs exist as two parts of a
whole. They're reflections of the effect that memories can have on the body and
the mind, and the effect that the body and the mind can have on memories.
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